It is now considered the industry standard for artists, museums and galleries throughout the world. 090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come.

Acrylic GlazingĪll of our frames come with picture quality. All mounting is fully reversible, without any potential damage to the art. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Promotion codes cannotĪll prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. Including commission, shipping, and taxes and duties when applicable. Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price Purchases made from all auctions, including benefit auctions, are subject to sales tax. In the case of multiple bidders placing the same maximum bid, the first person to place the maximumĪmount takes precedence as the highest bid until another bidder exceeds the maximum amount.įor Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price.įor Artspace Benefit Auctions, Buyer's Premiums are not applied. If your maximumīid no longer exceeds the current bid, you will receive an outbid notification email, and have the Winning amount is less than your maximum bid, you will pay the current increment. Unfolds, we will increase your bid by increments to ensure you remain the highest bidder. Spend for a work, though this does not necessarily mean you will pay that price. You should always bid the maximum you are willing to Realized in a variety of scales and formats, the resulting abstract combinations-in colors ranging from deep reds to bright yellows, ultramarine blues and olive greens-remained an important part of his work until his death in 2007.Ĭollected by nearly every museum of modern and contemporary art around the world, LeWitt, for his part, collected more than 9,000 works by his contemporaries.Įvery bid submitted is treated as a maximum bid. In the 1980s, LeWitt moved away from his strictly black and white palette and began experimenting with undulating lines of bright colors in contrasting tones on top of solid color backgrounds. In the 1980s, LeWitt moved away from his strictly black and white palette and began experimenting with undulating lines of bright colors in contrasting. As he put it in his seminal text 'Paragraphs on Conceptual Art,' in ArtForum magazine, June 1967: 'The idea becomes the machine that makes the art.' His designs, marked by a repetition of basic geometric forms including quadrilaterals, spheres and triangles, were thus reproducible in any space or at any time.

His wall drawings of the late 1960s, which are the foundation of his practice, were executed not by his own hand, but by his assistants. In his works, LeWitt called into question deeply rooted notions of permanence, uniqueness, and authorship. Using the cube as the basis for his complex modules and systems, LeWitt created two-and three-dimensional works, which range from wall drawings and works on paper to towering structures, pyramids and geometric forms. A founder of both the Minimalist and Conceptual Art movements, LeWitt made sculptures, paintings, drawings, prints, and large-scale installations. Sol LeWitt began exhibiting in New York in the 1960s and would go on to become one of the most influential artists of his generation. 'Conceptual art is not necessarily logical.'-Sol LeWitt

Sol lewitt